It was an opportunity for her to put her work in context for herself in a way she had never done before, Vrebalov, 53, told the audience at the University of Louisville on April 11.

Vrebalov, a Serbian-American composer who now resides in New York City, was awarded the 2024 for “�Ę.”

The Grawemeyer Award for Music Composition, which was the first of the five , typically receives 150 to 200 entries each year from around the world.

The work’s Latin title translates to “Mass Above Words” in English. The nontraditional work, which is performed by string quartets and girls’ chorus, features just two words in English.

“Words are not essential,” she said. “And I will say again – words are not essential for us to understand, and have insight into the abstract concepts of creativity, truth, beauty and love. These concepts represent the mental aspects of human existence and transcend language.”

Kronos Quartet, a group long known for nurturing musical innovation, and San Francisco Girls’ Chorus, a Bay Area group for young women from diverse backgrounds, premiered the work in 2018 in San Francisco.

Following her presentation, the audience had the opportunity to fully take in “Missa Supratext” by listening to the 22-minute work, which includes handbells, Tibetan bowls and musical saw.

Vrebalov said through her music, she hopes to bring people together.

“It’s about my own yearning for a world that’s filled with love and a world in which we can experience connection and belonging,” she said.

 That’s why “Missa Supratext” deliberately has no recognizable language, she said.

“We have reached a point of realizing individual freedoms as never before in history, and at the same time, our communities are fragmenting into increasingly separate worlds that often exclude each other,” Vrebalov said.

Her idea – to create a work that forces people to confront human existence – inspired her to “bypass traditional language elements and focus on a nonverbal dramatic narrative.”

“Words move us, but music can move us in ways that are not always easy to explain because it doesn’t require language,” Vrebalov said.

The $100,000 Grawemeyer prizes also honor seminal ideas in ,��,�������Ի���. Winners visit Louisville to accept their awards and give free talks on their winning ideas.

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UofL presents the annual prizes in music, world order, psychology, education and religion and gives the religion prize jointly with the seminary. All of the 2024 winners will visit Louisville in April to give free, public talks on their winning ideas.

The winners are:

• Aleksandra Vrebalov, a Serbian-American composer who won the music prize for a chorale work transcending a single language, culture or religion to express how all life is interconnected
• Neta Crawford, a University of Oxford international relations scholar who won the world order prize for analyzing the Pentagon’s carbon footprint and its effect on climate change
• Ann Masten, a University of Minnesota child development scholar who won the psychology prize for finding that resilience comes from “ordinary magic” within us and our supportive connections with others
• Laura Hamilton and Kelly Nielsen, two University of California sociologists who co-won the education prize for exploring the racial consequences of funding cuts at public universities
• The Rev. Charles Halton, an Episcopal priest in Lexington, Ky., who explained how embracing God as a being with human qualities can inspire us to become better people

“The Grawemeyer Awards recognize highly constructive ideas with world-changing potential and that’s certainly true of the ideas we’re honoring this time.” said Marion Hambrick, the awards program’s executive director.

Vrebalov shows how music can unite us despite our differences, while Crawford sheds new light on the U.S. military’s role in climate change. Masten explains why some people recover quickly from major setbacks when others don’t. Hamilton and Nielsen call for a fairer way to fund the nation’s public universities and Halton offers a fresh perspective on spiritual growth.

UofL graduate Charles Grawemeyer created the Grawemeyer Awards in 1984 with an initial endowment of $9 million. The first award, music composition, was presented in 1985. ����ֱ�� was added in 1989, religion in 1990, world order in 1998 and psychology in 2000.

Grawemeyer distinguished the awards by honoring ideas rather than lifelong achievement, also insisting that laypeople as well as professionals take part in the selection process.

Kronos Quartet, a group long known for nurturing musical innovation, and San Francisco Girls’ Chorus, a Bay Area group for young women from diverse backgrounds, premiered the 22-minute work in 2018 in San Francisco with Valerie Sainte-Agathe conducting. The piece also incorporates bells, Tibetan bowls and musical saw.

“�Ę’ is unrelated to any religion because the creative force driving all life does not care about culture, language or religion,” Vrebalov said. “The words are made up and have no meaning. The piece goes beyond verbal narrative to show how all life on our planet is interconnected.”

The work’s Latin title translates to “Mass Above Words” in English.

“Vrebalov’s music transports and envelops the listener,” said Matthew Ertz, music award director. “Her winning piece emphasizes the universality of human expression through music, bypassing a single language, style or tradition. She blends together diverse harmonies, rhythms, styles and improvisations, conveying her devotion to music and to the uniqueness of all things.”

, 53, who lives in New York City, moved to the United States in 1995 and became a U.S. citizen in 2015. She has composed more than 90 works, including orchestral, chamber, opera and experimental pieces. She often starts by drawing and painting colorful images reflecting her ideas before converting the images into musical notation.

Ensembles worldwide have performed her compositions. Kronos Quartet alone has premiered 15 since 1997, and more than 25 other organizations such as Carnegie Hall and the English National Ballet have commissioned her work. Composers Edition in the United Kingdom distributes her self-published scores.

Vrebalov taught music at Serbia’s Novi Sad University and City University of New York and has been a resident or visiting artist on three continents. The Charles Ives Fellowship from the American Academy of Arts and Letters and the Golden Emblem from the Serbian Ministry of Foreign Affairs are among her honors.

Recipients of next year’s are being named this week pending formal trustee approval. The annual $100,000 prizes also honor seminal ideas in world order, psychology, education and religion. Recipients will visit Louisville in the spring to accept their awards and give free talks on their winning ideas.