The Speed Art Museum’s new exhibition, “Kentucky Captured,” uses images from the University of Louisville Photographic Archives to examine the many ways in which the Bluegrass State inspired photographers in the 20th century.
The exhibition of 51 photographs from the fine print collection serves as a travelogue stretching from urban to rural landscapes, from backyards to graveyards, and from portraits to street photography.
鈥淭his exhibition brings together Kentucky photographers and those from outside the state illustrating how the essence of Kentucky has influenced the photographer鈥檚 eye,鈥 said Elizabeth Reilly, curator of photographic archives, who curated the exhibition along with Marcy Werner, curatorial assistant and imaging manager.
Many photographers in 鈥淜entucky Captured鈥 share similar styles and themes in their work. Doris Ulmann demonstrates early 20th century pictorialism with her soft images of iconic Kentuckians; Shelby Lee Adams brings the same subject into sharp focus almost 100 years later. Will Bowers鈥 dream like landscapes of Louisville鈥檚 Cherokee Park in the early 1900s are echoed in the work of John Ashley 75 years later. William Gedney and Milton Rogovin were mutually drawn to documenting the rural landscapes and people of Kentucky.
“Kentucky Captured” is on display through July 17 in the Speed Museum’s Temporary Exhibitions Gallery, South Building, South Gallery.
