UofL's Marching Cards at the Kentucky Derby
UofL's Marching Cards at the Kentucky Derby

UofL has , but perhaps none as deep as our Marching Cards鈥.

Since 1936, the group has served as 鈥淭he Official Band of the Kentucky Derby.鈥 What this means is that on the first Saturday of every May just prior to the Most Exciting Two Minutes In Sports, our students鈥 rendition of 鈥淢y Old Kentucky Home鈥 is showcased to about 150,000 people at Churchill Downs and an additional 15 million television viewers across the world. By the time the band is finished playing, there aren鈥檛 many dry eyes left.

A : 鈥淚鈥檝e interviewed Kentuckians who haven鈥檛 set foot in the state for 30 years who still stand in front of their televisions and weep when they hear the woodwinds and brass instruments strike the first few notes of 鈥楳y Old Kentucky Home.鈥 The lyrics tell us that there鈥檒l be hard times, by and by. But at the crescendo, it鈥檚 as if 150,000 voices nudge us to weep no more.鈥澛

Those are our students playing those woodwinds and brass instruments and聽evoking such emotion, courtesy of Stephen Collins Foster鈥檚 lyrics. Such an experience is not lost on the group.

鈥淗ands down my favorite part is hearing everyone sing at Churchill Downs. When the song begins, voices are a bit subdued, but then a strong rise of voices is heard on 鈥榃eep no more my lady.鈥 It is a powerful and unifying event that makes you feel connected to people all over the world and so proud to live in Kentucky,鈥 said Amy Acklin, associate director of Bands and director of the Cardinal Marching Band.

This Saturday will mark her 12th year with the band, eight of which have been as director and four spent as a student. This year will also mark year 24 for Dr. Fred Speck, UofL鈥檚 director of Bands, and year three for Dr. Jason Cumberledge, assistant director of Bands.

Cardinal Marching Band members, including Natalie Humble (far right) in the infield between performances during last year’s Derby.

It鈥檚 not just the directors who appreciate the experience, either. Natalie Humble, a sophomore from Monticello, Kentucky, performed at the Derby as a trumpet player last year and will move into the drum major role this year. She calls the opportunity to play the Derby 鈥渟urreal.鈥

鈥淭raveling to (football) games is a unique experience in the fall, but there is nothing more special than having an opportunity like this right where we are,鈥 she said. 鈥淚t is entirely unique to the Cardinal Marching Band. Having that legacy of performing 鈥楳y Old Kentucky Home鈥 is something you can only gain through the CMB 鈥 that鈥檚 the most special part.鈥

Acklin adds that having the unique opportunity to be part of this tradition is a privilege. 聽

鈥淚t鈥檚 pretty incredible to know that literally thousands of UofL alumni, whom you鈥檝e never met, are cheering you on and grateful for your service in continuing this important tradition,鈥 Acklin said. 鈥淗aving this singular honor for over eight decades is a testament to the commitment from the community and the dedication of the band and its alums.鈥

As for his perspective, which spans more than two decades, Speck simply passed along his favorite quote from famed sports commentator Jim McKay in 1999:

“It offers a moment that exists nowhere else in sports … when the horses come on the track and you see the silks on the jockeys and the tan of the track and the blue of the sky. Then they start playing that song, 鈥楳y Old Kentucky Home,鈥 and you can’t explain why, but it doesn’t matter if you’re from Kentucky or England or Timbuktu, it brings a tear to your eye…”

Check out the Marching Cards鈥 and Cardinal Singers鈥 performance from the 2017 Derby below, but be sure to have some tissues on hand.

 

 

 

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Alicia Kelso
Alicia Kelso is the director of social media and digital content. She joined UofL in 2015 as director of communications at the Brandeis School of Law. She also serves as a senior contributor at Forbes.com, writing about the restaurant industry, which she has covered since 2010. Her work has been featured in publications around the world, including NPR, Bloomberg, The Seattle Times, Good Morning America and Franchise Asia Magazine.